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你现在的位置:首页>>群组>>Casey Affleck---MR.Ford的黄金年代>>【killer inside me】Berlin film festival的首映

【killer inside me】Berlin film festival的首映

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2010-2-20 21:07:49

其实这只是2月19号在凯悦饭店门口

'The Killer Inside Me' photo call at the Hyatt Hotel during the Berlin International Film Festival.

这是首映。一看就知道没戏了。不过我还是想看Casey affleck啊。你小子失踪了真的是失踪了。

帅哥导演笑的那么开心难道预示着Casey能拿影帝?!

Director Michael Winterbottom with his daughters Anna (L) and Ruth attend 'The Killer Inside Me' Premiere during day nine of the 60th Berlin International Film Festival at the Berlinale Palast on February 19, 2010 in Berlin, Germany. 两个女儿.....有一个和谐的老爸

大女儿Anna

和女儿(女主角没有,男主角失踪,,,,,,,)

不过下面这一组里导演好帅啊

是到达Berlin的机场给fans签名。淡定的男人最迷人了

导演啊 你也给我一张签名啊 最好能给我个电话号码也好哈

 

 Michael Winterbottom’s controversially violent and gratuitous film, The Killer Inside Me, has been picked up  by IFC Films for approximately $1.5 million for U.S. distribution, and will be released this summer via a small theatrical run along with VOD channels。

外加一则好消息(和小西无关)这部争议性的暴力电影。被IFC电影公司以150万购得北美的发行权。今年夏天会以小规模点映的渠道进行传播。(好像不知道翻得是不是那么回事)纯文艺哎!

标签: 首映 (2)

7.1 

心中的杀手 (2010)

影评(341)

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心中的杀手/The Killer Inside Me(2010)
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楼主

管理员给此话题奖励了3分!
2010-2-21 1:25:19
自己喝杯茶先
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1 楼

2010-2-22 12:30:02
都到哪儿去了 都到哪儿去了 !!!!~~~~

柏林电影节都结束了 一点踪影都没 气死了气死了~~~~
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一座小小的山。
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2 楼

 
 
2010-2-23 2:10:23
都失踪了狗仔也找不到莫非搬到我家楼下去了?yy啊
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2010-2-22 12:37:11

转一名记者的评论~~


My last day in Berlin served up one of the films I’d most been looking forward to, tireless British filmmaker Michael Winterbottom’s Jim Thompson adaptation “The Killer Inside Me.” Winterbottom’s baldly violent noir arrived in town with the embers of its Sundance controversy still glowing, hoping to liven up a staid Competition. Werner Herzog’s jury might not have taken the bait, but many audience members at the press screening I attended did.

“Fuck you!” yelled one German journo, rather lamely, at the screen once Casey Affleck’s Texan sheriff (and moonlighting serial killer) had finished pummelling Jessica Alba’s lovely face to the texture of steak tartare. After that, obediently outraged grumbles greeted assorted scenes of sex and sadism, while a chorus of boos accompanied the end credits.

For all that, the hostility didn’t sound that spontaneous to me, and not only because the audience came forewarned and forearmed. The film — smart, elegantly composed and faintly dour, like much of Winterbottom’s mid-range work — is hardly the unhinged moral transgression some of the Sundance reports would have you believe, while the admittedly unpleasant violence is unlikely to rattle anyone who sat through, say, “Irreversible.”

It’s rare for a comparatively mainstream title to take quite such a graphic approach to female suffering at the hands of men, and Lars von Trier will surely be grateful that the self-appointed misogyny police can now beat down another director’s door for a while. But Winterbottom is also to be commended for mirroring the tonal nastiness of Thompson’s work quite so unflinchingly; as a feat of adaptation, the film is conscientious to a fault.

That it works as much as it does (if not as much as it could) is thanks largely to Affleck’s startling lead turn. Reprising the slithery adaptability of his Oscar-nominated Robert Ford, but with more straight-backed charm, he’s ideally cast here and knows it, wielding his unnervingly milky gaze like a weapon in every scene. Something in Affleck’s easy shuffle between yes-ma’am compliance and leery reticence somehow puts me in mind of the young Henry Fonda; a great American character actor might be in the making here.

If there’s a problem, it’s that we’re too beguiled by the star. With Affleck inviting us so persuasively into his character’s mindset, the film wants for tension with the outside world, and suspense consequently goes walkabout.

The supporting cast fill out their roles respectably, though there’s a hint of dress-up in otherwise fine contributions from Alba and Kate Hudson. The atmospherics are rich and satisfying: Winterbottom and DP Marcel Zyskin wisely resist the temptation to cast the 1950s-set film in a burnished period glow and opt instead for harder, bleaker lighting schemes. (Bonus points, too, for a gorgeous opening credit sequence.) But even these assets point to more of an exercise than a fully-fleshed movie, an accomplished but unfelt feather in the cap of a restless auteur.

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一座小小的山。
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3 楼

 
 
2010-2-22 12:38:00
不管了 反正都说Casey演得好~~~
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一座小小的山。
2010-2-22 20:09:30
好消息 特大好消息德国人口味重这部片子得了4星好评呢........
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2010-2-23 20:57:29
完全看不懂,不过看到“反正都说Casey演得好”时,我觉得其他都不重要了
我爱德国人,最近在吃德国糖,味道不错,嘿
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幻灭的时候我需要好好放松,看几部煽情的电影,流一流眼泪当做发泄,然后继续笑对人生~
 
 

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Casey Affleck---MR.Ford的黄金年代

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